Einstürzende Neubauten - 1984 - Chicago

Einstürzende Neubauten 

at the Exit 

Chicago 

1 March 1984

1. (Unknown) 
2. Zum Tier machen 
3. Vanadium-I-Ching 
4. Affenroulette 
5. (Unknown) 
6. Sehnsucht 
7. Negativ Nein 
8. Armenia 
9. (Unknown)
10. Abfackeln! 
11. Die Genaue Zeit 
12. (Unknown) 

God Told Me To (1976)

Written and directed by Larry Cohen (Bone, It's Alive, Black Caesar, The Stuff), 1976s God Told Me To (aka Demon) is a thought provoking horror/science fiction hybrid.

Tony Lo Bianco stars as a NYPD detective who tries to figure out the motives behind a series of seemingly random bursts of deadly violence which are connected by all of the perpetrators stating the reason for their transgression was that "god told them to." Eventually he traces everything back to a cult like organization headed by the always intriguing Richard Lynch. Things get darker and more complicated from there, ultimately leading to an explosive climax.

Keep an eye out for Andy Kaufman's first film appearance as a NYPD patrolman who becomes motivated to commit violence during a parade detail.

the trailer

the feature

Four Flies on Grey Velvet (1971) aka 4 mosche di velluto grigio

 

Dario Argento's 1971 feature Four Flies on Grey Velvet is the final film in his "Animal Trilogy", which began with The Bird with the Crystal Plumage and The Cat o' Nine Tails. Another genre notable, Luigi Cozzi served as assistant director. Due to some disagreements over music selections, this would be the last Argento film scored by Ennio Morricone until the 1990s.

Italian film favorite Bud Spencer, plus Americans Mimsy Farmer and Michael Brandon top the films cast. It was picked up by Paramount Pictures for it's United States release but little was done with the film in the U.S. after an initial run.

The plot is convoluted, perhaps a bit too complicated, but overall Four Flies on Grey Velvet rewards a viewer with well shot color saturated and outstanding cinematography (most noatbly what may have been the first use of high-speed camera equipment to film the path and trajectory of a bullet), as well as heaps of Argento's "edge of your seat" cinema. The scene where a woman finds herself locked inside a walled park after closing and is pursued relentlessly stands out for it's memorable and rapidly escalating tension.

the trailers

the feature

The Crazies (1973)

Released in 1973, The Crazies (aka Code Name: Trixie or The Mad People) was directed by George Romero with many of the same crew/production staff from his ground breaking feature Night of the Living Dead and has since been the subject of a Hollywood remake.

The plot plays out as an unknown, untested bio-toxin is released into the drinking water supply of a small Pennsylvania town after a military plane crashes nearby. The toxin causes strong, visceral reactions in those exposed as it creates an unrestricted id with extremely violent urges. The government storms into town, establishes martial law, and begins a round up of the townspeople. Some folks are understandably leery of the occupying force and find themselves caught between the infected "crazies" and the increasingly trigger happy "peacekeepers" sent in to maintain order. Screen time is also given to scenes illustrating the government/military's ongoing attempts to quell and localize the growing problem by any means necessary.

the trailer

the feature

Butthole Surfers - Nov. 1987 - Los Angeles

Butthole Surfers

Variety Arts Center
Los Angeles, CA
11/7/1987

The beautifully demented sights and sounds
from a stop during touring
in support of their 1987 release
Locust Abortion Technician.

1) -noise-
2) Something
3) Rocky
4) Sweat Loaf
5) Ricky
6) Graveyard
7) Paranoid
8) 100 Million
9) Backass
10) scream sequence
11) Julio
12) Cherub
13) Gary Floyd
14) Psychedelic Jam
15) Pittsburgh To Lebanon
16) Johnny Smoke
17) Jimi
18) 22 Going On 23
19) X-Ray

Venom, Slayer, + Exodus - 1985 - Sudio 54, NYC

The Ultimate Revenge: Combat Tour Live 

Venom 

Slayer 

Exodus

Recorded  on April 3, 1985 at Studio 54 in New York.

Wild look back at a truly classic line up of heavy hitting, extreme, and underground metal acts. The footage of Slayer and Exodus comes directly from the filming done at the April 1985 Studio 54 show, but the Venom performance clips come from earlier releases. Not sure why this the case but I vaguely remember hearing Mantas was sick and Venom used replacement guitarists for this gig, so perhaps that's the reason. Backstage interviews provide some comic relief as well as insight into band dynamics and attitudes.