Friday, March 28, 2014

A Dying God - Celtic Frost Documentary


A Dying God is a 2008 documentary on Celtic Frost 
made for Swiss television by Adrian Winkler. 
The band is followed during their 
2006 - 2007 "Monotheist" World Tour 
and features performances plus interviews 
with the band members.

Pig Destroyer - Brooklyn - 2014

Pig Destroyer 
at Saint Vitus Bar, Brooklyn 
11 January 2014 

Melvins - Salad of a Thousand Delights (full show, 1991)


  The Melvins ripping it up at the 
North Shore Surf Club, Olympia, Washington, 
May 16, 1991.
  1. "Antitoxidote"
  2. "Euthanasia"
  3. "Zodiac"
  4. "Oven"
  5. "If I Had An Exorcism"
  6. "Boris"
  7. "Kool Legged"
  8. "Wispy"
  9. "It's Shoved"
  10. "Anaconda"
  11. "We Reach"
  12. "Hog Leg"

Do Not Panic - Hawkwind Documentary


The psychedelic, space rock sounds of Hawkwind are examined in this documentary. Started in London 1969, the band has undergone several line up changes through the years including Lemmy Kilmister as bass player/vocals from 1972 to 1975. After he was kicked out, he then formed the iconic heavy metal act Motörhead. 

Hawkwind's live show was truly a "trip" where the wild music compounded with lights, strobes, and for a period during the 1970s, an often nude statuesque dancer Stacia. Also notable is the musical dna link that Hawkwind provides between the hippie and early punk worlds.


Can - Documentary on the German Band


This is a documentary on the German band Can, compiled by Rudi Dolezl & Hannes Rossacher. Formed in Cologne, West Germany in 1968 with a sound that mutated from track to track, they created incredible music that influenced musicians such as John Lydon + Public Image, Pavement, and the Butthole Surfers.

Sunday, October 20, 2013

The Toxic Avenger (1986)


Troma's jewel in the crown of releases, for me, will always remain 1986s Toxic Avenger. This un-pc, violent revenge movie remains randomly stuck in my memory alongside 1973s Horror Hospital because I first viewed them back to back during a high school vhs-fest Friday in the 80s. Good times! The sequels, like much of Troma's output, do not hold much interest for me, but this one is a winner and hopefully will not be re-made as another shit stained, glossy Hollywood mess.