Showing posts with label Luigi Cozzi. Show all posts
Showing posts with label Luigi Cozzi. Show all posts

Tuesday, October 11, 2016

Four Flies on Grey Velvet (1971) aka 4 mosche di velluto grigio

 


Dario Argento's 1971 feature Four Flies on Grey Velvet is the final film in his "Animal Trilogy", which began with The Bird with the Crystal Plumage and The Cat o' Nine Tails. Another genre notable, Luigi Cozzi served as assistant director. Due to some disagreements over music selections, this would be the last Argento film scored by Ennio Morricone until the 1990s.

Italian film favorite Bud Spencer, plus Americans Mimsy Farmer and Michael Brandon top the films cast. It was picked up by Paramount Pictures for it's United States release but little was done with the film in the U.S. after an initial run.

The plot is convoluted, perhaps a bit too complicated, but overall Four Flies on Grey Velvet rewards a viewer with well shot color saturated and outstanding cinematography (most noatbly what may have been the first use of high-speed camera equipment to film the path and trajectory of a bullet), as well as heaps of Argento's "edge of your seat" cinema. The scene where a woman finds herself locked inside a walled park after closing and is pursued relentlessly stands out for it's memorable and rapidly escalating tension.


the trailers










the feature



Saturday, July 28, 2012

Starcrash, aka Female Space Invaders (1978)


Created in the wake of the huge success of Star Wars, Luigi Cozzi's 1978 film Starcrash is a low budget sci-fi saga that borrows from earlier genre movies but for me still succeeds as a highly entertaining popcorn flick.

As space smuggler Stella Star, Caroline Munro gets involved with a mission to destroy Count Zarth Arn's (Joe Spinell) planet sized super weapon before it can be used. There's a bit more to it but that encapsulates the story. Other familiar faces include: Christopher Plummer, Marjoe Gortner, David Hasselhoff, and the hulking, bald Robert Tessier.

The film moves quickly and throws all sorts of effects at the viewer with the stop motion and miniatures both endearingly effective in spite of the budget constraints. The skimpy ensembles worn by Caroline Munro offer additional visual excitement.


the trailer


the feature